Review by Hemera
Fenestra Tarot is a new deck by the Thai artist Chatriya who is also the illustrator of the Wiccan Cards (Llewellyn 2006). US Games web pages say that her art combines elements of Art Deco, Egypt, mythology and Japanese Manga. And so it does.
Fenestra is Latin for “window” and all cards have window-like frames, different in the majors and minors. I am normally not a great fan of frames and borders, because they often seem to water down the artwork (especially if they are white). But here the frames are really an essential part of the whole card and they seem to intensify the power of each card.
The artwork of the Fenestra Tarot excels in beauty. These are probably among the most beautiful tarot cards I have ever seen. There are beautifully flowing lines in Art Deco (Art Nouveau) style with whirling plants, leaves, vines and water. They give movement to the pictures which would otherwise perhaps appear too static. The colours are soft and muted but never too mild or vague. The overall feeling is a bit autumnal; there are lots of yellows and soft reds, beautiful shades of rust, olive and grey.
When I first saw these cards my first thought was “Oh great, another deck showing young/teenage photomodels!” But on closer examination I very soon noticed (somewhat to my surprise) that the people in Fenestra Tarot are essentially ageless. They have an engimatic and magical quality, they seem very mature and they have a serene and direct gaze that I really like. Most characters are very androgynous so even if there are slightly more males than females in this deck (I counted!) gender really isn´t an issue here. Neither is nudity, thankfully! (I have been getting very weary of some of the LoScarabeo nudes recently!)
Card backs show a beautiful Art Deco pattern with two roses. The backs look symmetrical both ways, right side up and reversed. There is, however, a tiny text (2006 USGAMES) on the right corner of each card. The text is small enough not to disturb the artwork and yet big enough to be used as an indicator of reversals if needed.
The cards are well laminated and quite glossy, which makes them a bit slippery when new. They will probably tolerate handling well though, and become easier to handle with time. The card size is very convenient; I find them neither too big nor too small.
The cards come in a box which is inside another bigger box. (I have heard that this is to prevent shoplifting?) The big box includes a spreadsheet, with beautiful artwork by the artist and a version of the Celtic cross spread. The Celtic cross is a bit unusual and not particularly good in my opinion (eg. recent past and near future have been swapped which feels both unnatural and unnecessary).
LWB (=little white booklet) is not written by the artist which is always a great pity. It is merely a list of meanings and only the same Celtic cross variation of the spreadsheet is included in the LWB. It would have been nice to have a Fenestra-spread included, as well as at least a foreword by the artist.
I usually hope to find lots of animals in my decks, as animals are great symbols and mirrors of our unconscious energies. There are unfortunately not very many animals in this deck. There are a few horses and dogs, some birds and bulls, but not one single cat anywhere (the odd looking lion in Strenght doesn´t count!).
The cards that I personally like most are hard to list since I´d happily frame almost every one of these cards! The Queen of Swords is breathtaking and the Star is among the most beautiful ones I´ve ever seen. It is probably easier to point out the ones I am not really excited about. To mention a few cards where the artist's comment would probably clear things up a bit is the Moon, the Chariot and the World. Why did the artist choose to have two naked ladies in the Moon card? Why not the traditional dog and wolf (& crab)? The deck is otherwise very much the traditional RWS-type. Why is the Chariot (an aggressive male) using submissive and crawling females as the driving force of his vehicle? The World is a bit disappointing. It is the traditional dancing female (goddess) inside a wreath but the female in the centre is very pale and looks shy and sick. She lacks the radiance and vitality that is usually her very essence.
I´d also like to ask the artist whether she really meant Lady Temperance to dip her toes in a pool of blood (or red berry juice) instead of water. (And if so, why?)
I can recommend this deck to all, beginners and advanced alike. It is based on the traditional RWS deck so it is easy for beginners to learn. All readers who find the artwork appealing will certainly enjoy the serene beauty of this deck and find it speaks directly to the intuition. I find a special and healing balance in these cards; there is movement and growth but also a strong quality of unhurried listening in them.
Hemera is a student of Tarot in Finland. She is also a scientist, a
cellist and a witch.